Tuesday, January 28, 2020
Creating Safe Environments Essay Example for Free
Creating Safe Environments Essay Collaboration with parents is one of the most challenging and critical issues that cause misunderstandings within the classroom and throughout the school building. It is a non-negotiable expectation among parents and teachers that include building a network between and among parents and teachers. It involves a sense of mutual respect as well as an understanding of different viewpoints. Teachers should be mindful that building relationships early in the school year will result in a positive classroom environment in which students have a secure place to learn. Parents and teachers should share expertise regarding the student in which information about learning styles are presented in a non-threatening manner. Teachers should be able to use limited amounts of teacher language so parents are able to understand expectations within the classroom as well as establish guidelines for following up on strategies at home. As a parent, I would appreciate a relationship with the person who spends most of the day with my child. I would gain insight into the way my child thinks in various situations to create a deeper understanding of relationships in the real world. The need for character education for parents lies in the fact that children should be shown examples of good character both at home and at school. ââ¬Å"School has to build the work that the family doesâ⬠(Lickona, 2009). Parents should unequivocally be involved and taught character education strategies. Much of what we see as teachers is a reflection of a poor home environment as parents who live complicated lives. Many are single parents and lack the time or resources to handle the complex problems of children today. They want nothing more than for their children to be successful, but as educators, it is our responsibility to provide resources for parents such as strategies and techniques, parenting courses with childcare and methods which foster values that all people should acquire in society. In this ever changing world, I, as a parent would welcome some insight to how my children are becoming part of the world they live in. This collaboration in character education should be purposeful as is our teaching. The purpose of character education should change the way the classroom works and feels, not just the way each member acts (Lichona, 1991).
Monday, January 20, 2020
All about me :: essays research papers
Web Tools: The Future Is Now The Internet is already the No. 1 applications target for developers, according to an Evans Data survey. Web development is about to enter the top five in terms of IT spending. And (no surprise here) experts say the Web will only play a bigger role in companiesââ¬â¢ business applications plans. In other words, the future of Web development is now. But the tools underpinning this trend have a back-to-the-future feel. Consider Mozilla: The browser experts at Netscape have been honing their code for years, with the support of developers intent on slowing Microsoft's Internet Explorer juggernaut. Now America Online (Netscape's parent) might replace its AOL browser with Mozillaââ¬âa move that could give Netscape a market share of millions, literally overnight. Then there's X3D (Extensible 3D), the successor to the old VRML spec. Experts say X3D's compatibility with XML could usher in "bold new navigation and rendering possibilities" for developers and pave the way for virtual-reality apps over the Internet. With other real-time Web-collaboration products poised to become as critical to the enterprise as e-mail, now's the time to learn where Web development is going. Better to be ready for the future than stuck in the past. ââ¬â Larry Lange Much Ado About Netscape Mozilla - InternetWeek Netscape has been gone so long it's hard to say what its return might mean. Then again, AOL is considering it as a replacement for its own browser. Netscape's Return: The Readers Talk Back - InternetWeek More than 5,000 readers respond to questions about Netscape. And a surprisingly high number of them say they'll standardize on Mozilla. VRML Successor Aims For 3-D Web - InternetWeek The Web3D Consortium has debuted a new spec it says could make 3-D graphics a mainstream part of the Web. A New Development Sweet Spot? - InternetWeek Web-development shops are readying new tools that, when used with Macromedia, ColdFusion, XML, Java, and SOAP, could bring new flexibility to application development.
Sunday, January 12, 2020
Describe the different forms of disguise and deception that feature in Shakespeare’s ‘Twelfth Night’
For this essay I shall try and describe the different forms of disguise and deception which appear in ââ¬ËTwelfth Night'. The elements of both disguise and deception are both very important to the play, they bring confusion between the characters which add to the comical tones of the play. The main thought that we, the reader think of would be Viola's physical disguise as a male ââ¬ËCesario' which is one of the central plots that contribute to the comedy of the play. The thought of a male dressing up as a female (and vice versa) is increadibly funny to us today. This would work especially well on a stage, where the full impact of seeing someone trying to accumulate the characteristics of the opposite gender would hit the audience. Yet, because in Shakespeare's day, the female parts were played by boy actors, the original Elizabethan audience would have found a special sophistication in the part of Viola ââ¬â which would have been a boy, dressing up as a woman, who in the play dresses up as a man. As confusing as it may seem, it does enable the audience to understand more of the situation when either Olivia or Orsino are on stage. It is also these situations which cause a lot of disruption and confusion which make up the plot. In ââ¬ËTwelfth Night' disguise and deception are the key feature in the more comical scenes. A good example of this is the humiliation of Malvolio, who is unknowingly decieved into thinking that Olivia is in love with him by Maria, Sir Toby and Sir Andrew Aguecheek. The audience would have found this hilarious in Shakespeare's day because Malvolio embodied all the attributes of a solem strict puritan, which the fun loving Elizabethan audience hated. There is no real sympathy felt for Malvolio at all in the play because of this, and the audience would have seen the mistreatment of Malvolio as their own retribution for how the puritans controlled their lives. Malvolio is further humiliated a few scenes later when Feste (The Clown) dresses up as Sir Topaz, the Curate, and taunts the Emotionaly drained and locked up Malvolio. Whilst Malvolio was a good figure for deception, another good example would be Sir Andrew Aguecheek who is tricked both into also believing that he as well has a chance with Olivia and also Being tricked into a duel with ââ¬ËCesario' by Sir Toby. However when Sebastian comes on the scene, he is mistaken for ââ¬ËCesario' by Sir Toby and Sir Andrew, and unlike ââ¬ËCesario', Sebastian wasn't afraid to defend himself, and Sir Toby's plan backfires. While it is easy just to think of how phsyical disguises deceive a person's perception, some of the character's in ââ¬ËTwelfth Night' are deceived about their true natures. Viola's disguise as a male ââ¬ËCesario' enables her to work undetected in Duke Orsino's Court as his messenger. ââ¬ËCesario' is drawn into a love triangle and falls in love with Orsinio, yet is somehow happy to ââ¬ËWoo' Lady Olivia for him regardless of his/her feelings. However, the play gets even more confusing when Olivia Falls in love with ââ¬ËCesario' and begins to actively persue him. Although the possibility that Olivia may be in love with a woman is more upsetting to the tradtional structure. While Shakespeare's audience excused it as a case of mistaken identity, a modern audience may think it might have been something more. Olivia's attraction lies in the more feminine qualities of ââ¬ËCesario' like his ââ¬ËAngry lip' or ââ¬ËBeautiful Scorn'. This creates a debate among modern audiences of whether Olivia suspected or maybe even knew ââ¬ËCesario's' true gender, yet chose to love him/her anyway. Here Shakespeare is challenging the status quo as this challenges the traditonal role of the male being dominant in courtship and shows Olivia obtaining the role of ââ¬ËThe Woo-er'. As a result of this, Viola is unable to express her love for Orsino ââ¬â for fear of rejection and therefore she is now trapped in a web of deception. Alternitively Viola's Disguise as ââ¬ËCesario' was necessary for her survival to pass undetected in Duke Orsino's court. Another example of a character using disguise as a means for survival is Antonio, who is in hiding from his enemy Duke Orsino and risks his life by helping Sebastian. Some Characters in ââ¬ËTwelfth Night' are deceived about their true natures. A good example of this is how Olivia adopts the pretence of mourning for her brother and father's death. Although the audience is unsure whether this is actually a pretence because losing close family members is very traumatic, however Olivia takes this trauma to the extreme and vows that she will mourn for seven years and for that time no one shall see her face. Alternitively, Her feelings may be a pretence that she feels that mourning for that amount of time is the ââ¬Ënoble' thing to do, or it's what is expected of her. Olivia's true emotions and intentions are disguised behind a pretence, outer appearence or attitude. These same feelings, however are soon discarded when she meets ââ¬ËCesario'. This kind of extreme emotion links very closely to how the Duke Orsino deludes himself that he is in love with Olivia. In the first scene we are introduced to his feelings about Olivia when he is listening to music in his court ââ¬ËIf music be the food of love,play on- give me excess of it' however his mood soon changes and he makes the music stop. This shows a very fickle side to the Duke and also mirrors how at the end of the play his feelings for Olvivia turn into a murderous rage ââ¬ËI'll sacrafice the lamb that I do love, To spite a raven's heart within a dove. ââ¬Ë We believe Orsino's deception of his true nature lies in his ââ¬Ëself love' and he is actually in love with the thought of being in love, rather than for seeking a relationship. Another good example of a character deceiving their true nature is when Malvolio is duped into the role of Olivia's suitor and changes from his old puritanical self into a smiling ââ¬Ëcourtier'. He changes both his appearence and attitude because he thinks he is doing so for Olivia and even Malvolio's yellow stockings and cross garters are a masquerade. The dramatic convention of disguise creates uncertainties of the meaning and emotions throughout the play. A good example would be the lover's in ââ¬ËTwelfth Night' who create two purposes. They firstly create humourous misunderstandings, but also challenge us as an audience into what we see in appearences, gender roles and ââ¬Ëplatonic' same sex feelings. With male actors playing the female parts in the play, the idea of having a stable identitiy, may seem as misleading as disguises. However these disguised characters provide a wider significance by giving us a deeper meaning to ponder about what our beliefs and others are actually based upon. The play brings out the true natures of Olivia, Orsino and Malvolio to the surface. However, it is only Malvolio at the end who still seems unsure to recognise himself as he is blinded by his overwhelming pride and self- righteousness.
Saturday, January 4, 2020
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